A Sign of How Much You Love Your Dogs

A Sign of How Much You Love Your Dogs

Nicknames are a sign of affection in most cultures. I just got back from a 6-week trip to the US. I’m rarely away from my dogs for that long and I realized just how many names I call them during our conversations. As a solitary writer, I speak to my dogs more than anyone. If the amount of Spanglish and other assorted nicknames is any indication of how much I love them, I love them muchísimo. Here’s a list of them so far.

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Extracts from †3Dark Stories: ‘Bethesda’ & ‘Under Soil’

Extracts from †3Dark Stories: ‘Bethesda’ & ‘Under Soil’

Via the blog of Joseph Sale

Hello everyone,

We are on the homestretch of our Kickstarter Campaign, so, to thank all you AMAZING people out there who have backed us, we thought it was time to give you all a little taster of what’s coming. Here, below, we have two story extracts.

The first is from ‘Bethesda’, our Issue 1 story by Ross Jeffery. ‘Bethesda’ is a hopeful tale of religious experience, told with a unique and convincing narrative voice that becomes quietly, profoundly moving. ‘Bethesda’ is set in England.

The second, from ‘Under Soil’, by Tice Cin, is set in Cyprus. This dark fiction tale is woven from a Gothic style that slowly unveils a deeper meaning to it. Sensual and intense, this is as vivid as an acid trip, or else, a direct encounter with something beyond the shadow of our daily lives.

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Be†hesda – Issue I – Ross Jeffery

I’ve been watching him now for a while: the pale man, as he trudges back and forth from what I assume must be his car, or mini-van, parked at the foot of the hill, stopped from entering the promenade by the safety barrier. It was put in place to stop cars driving onto the beach to unload their cargo. There was a girl who I went to school with a few years back. Jessica was her name. She said that she saw an elderly man crushed to death by one of those cars; he’d been buried up to his neck by someone who’d gone off swimming, leaving him with just his head sticking out, encased in the heavy, wet sand. He didn’t see it coming. The driver didn’t see him either. The huge petrol-guzzling Range Rover drove over his head popping it like a tomato. She said that the blood sprayed out from under the car. But it wasn’t just the head, the Range Rover crushed his limbs beneath the sand. Dead on impact, she said. There was so much blood, it formed a tributary down to the sea. Apparently, it took a good few days for the tide to wash away the blood. It kept on coming back like the blood on Lady Macbeth’s hands. Gone one moment, back the next. Immediately after, the local authority met and decided there would be no more ‘incidents of this nature’ and so installed a barrier which put a stop to drivers bringing their cars down onto the beach. There were obviously complaints about it all, uproar in local neighbourhood partnership meetings, but in all honesty who can complain about the inconvenience of carrying your beach equipment a hundred yards after an elderly man has been crushed until he popped like a geyser.

X

The man just stands there now, looking out to sea. He raises his hand, shielding his eyes from the glare of the sun on the water. The light refracts off his large watch, sending a blinding beam across the beach in my direction. He lowers his hand and turns to his windbreaker. He reaches into the chest pocket of his jacket and pulls out a pack of cigarettes and a lighter. I can’t make out the brand but catch a flash of red from the pack: Marlborough Reds, strong stuff. He lifts the pack up to his mouth, his lips reaching out and claiming one of the sticks, he slowly pulls the pack away revealing this cigarette hanging from his mouth. In one fluid motion he moves the pack down and into his pocket and when bringing his hand up, opens the zippo lighter with a flickering flame. He inhales, deeply, two jets of smoke pour from his nostrils. With a flick of his wrist the zippo is closed and he places it in the breast pocket of his shirt. He stands there staring out into the surf. He only moves to lift the cigarette to and from his mouth; he doesn’t even move to pick up a child’s red Frisbee that lands a foot away from him. He stares out to sea. He doesn’t move when the children shout at him to pass it back, call him a weirdo, a paedo and a bunch of other derogatory remarks. Just stands there in his backdrop of Jamaican merchandise. I watch intently as one of the boys, the youngest, slightest one is pushed by his friends in the direction of their fallen Frisbee; I see the boy stiffen with terror as he moves, well pushed, towards the Frisbee. What does this say about the boy’s home life if he thinks that interacting with a stranger could cause him to suffer? A dog yaps near me as it jumps over the groyne I’m sitting on, distracting me from my observations. The owner of the dog says hello and good afternoon to me, I reply by moving my mouth but not speaking the words, and add a little head nod for good measure; I’ve always found that odd, total strangers saying hello. I used to shrink into my coat every time my father would say hello to total strangers when we were on family walks in the country. After the stranger is gone. I look back to the man. He’s gone too. The kids are laughing and punching the runt in the arms; he seems to have successfully acquired the red Frisbee. But where is the man?

 

 

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Under Soil – Issue II – Tice Cin

Her body is dead earth. It has the soft mulch of being left outside for too long and being rained on. The rain never stops. Flesh quivering, the panting of her breath moves hair that has fallen across her collarbone. Small needle marks blemish her skin and raise blood to its surface. Shooting over her legs, threads of blood meet each other as they flow from head to toe. The interlacing of red is divinely timed. Her colour is renewed and replaced interchangeably by the rain, then the blood, and back again. This skin is lace that embroiders the ground. This was the call and now was the time to answer. Standing up, her feet sink in soot, cleaving it free from the gravel beneath. Divinely timed. Heading for the hills, her footprints suck in blackness, leaving traces of her body in their trail. Bound between sky and earth she is the first of her kind. Sent to shake life from her skin, she moves through the heat of the day. As the sun pinches her cheeks she walks with it roasting and drying her offerings, liquid intermingling to infuse gravel with metallic clay. She stops. Knees hitting the ground, she pulls at her ribcage. First she becomes aware of the pressure on her thumbs as they grip skin and bone. Then that pain is nothing. The sound of skin peeling sends white noise crackling into reverb around her and when it stops she holds two ribs in her hands. An un-stringed cello, she buries them in the ground. Piled over bone, the slow erosion of hot rock here blends with soot, marbling and intertwining body with earth. The first death will be here. Fire the reward of the wrongdoer. Volcanic ash and hot sand carried the stench of carrion as brother buried brother out of sight. This palpable toil. The men warred so quickly yet with so much fire that their bodies were swallowed in dirt before they ever had the chance to make surrendering moves. The walking prayer. When making something level again is no longer a crime, then she will come. Balance hums into being. Her fingers are like wings that drag along the floor as she walks and her hair gestures forwards sensing each step that she needs to take. Marking the area of this sin was all she has to do. She is here to give to an earth that is dead. Her lips part, lower lip hanging like a corpse’s dislocated jaw. Out from her mouth rolls a shard of flame that lingers at her feet before rippling with open arms over the dry hill, leaving nothing but green behind.

———————————————————————————————

We hope you enjoyed those extracts and that it demonstrates what we intend to do with †3Dark. If you did enjoy them, please help us make this project come alive by offering a back or telling your friends about us:

Facebook

Twitter

Instagram

We have TONS of incredible rewards to offer you, but more than that, you will get the satisfaction of knowing you are a true patron of the arts, have supported the work of aspiring authors, and are making a vision live.

Please note: Our incentive offer is still valid: if you can get a friend to back this campaign and then confirm it to our Facebook page, Twitter, or in the comments section of this KS, we will send you a FREE eBook from Dark Prophets Press!

Well, that’s enough from me. I hope you enjoyed reading this fine work. Onwards and upwards †3Dark.

Until next time!

Joe Sale

Project Lead, †3Dark

Visit the Campaign

Visit the 13 Dark Kickstarter page

to view the full details about the project.

Go!
The SICK Part III Pre-order Sale is Live

The SICK Part III Pre-order Sale is Live

I’m not going to tell you the plot of SICK III, but I will tell you that this book is much more than a story about a very sick man. It’s about facing your demons and getting to know them. It’s about accepting your most depraved thoughts and urges. It’s about being courageous enough to live with yourself despite them. It’s about loving someone even if the world would condemn you.

Above all, it’s about living in the truth, no matter how frightening it is.

Get SICK Part III for 1/2 price

when you pre-order

till release day on 4/17

Are you ready for a journey into the dark?

Are you ready for a journey into the dark?

I told you all I had cool news for you. Here it is!

Project 13Dark has launched its Kickstarter Campaign. Tired of the same ol’ mainstream fiction? Find out all about this unique project that will showcase both dark fiction and art. Become part of movement that demands quality but also insists on paying the artists who create it. Watch the video and read on to find out how.

Lose yourself in a unique, epic world that will be created over 13 months. 

†3Dark is a unique project created by Joseph Sale that will showcase both the written and visual artwork of some of this century’s greatest creatives including Richard Thomas, Moira Katson, Eden Royce, Veronica Magenta Nero, Christa Wojciechowski as well as newer voices such as Matthew Blackwell, Andy Cashmore, Samuel Parr, Tomek Dzido, Anthony Self, Ross Jeffery, Jamie Parry-Bruce and Tice Cin.

All of their work will explore the sacred and profane, the holy and damned, the beatific and the demonic. 

The aim is to release 13 unique never-before-seen short stories, monthly, in digital and paperback form, accompanied by custom artwork from Shawn Langley, and with cover artwork by grandfailure. These editions will be beautifully produced, melding the visual and written elements, offering unique insight into our world. Each story will be edited and have a foreword written by me. This is a once-in-a-lifetime opportunity to be part of something colossal. 

Visit the Campaign

Visit the 13 Dark Kickstarter page

to view the full details about the project.

Go!

For 13 Dark Backers 

Readers will be interested in…

In addition to 13 beautiful editions of short fiction with YOUR NAME in the ‘Thank You’ section, †3Dark will provide opportunities to receive limited edition signed copies of Dark Prophets Press titles, specially discounted subscriptions to Gamut Magazine (the prestigious neo-noir magazine created by Richard Thomas of Dark House Press) and much, much more!  

Writers will be interested in…

If you have a group of short stories or a novel coming out and need in-depth analysis, coaching, and intensive editing, you will want to snatch one of the top reward spots! The cost of the the pledge is far cheaper than you would ever have to pay for a writing coach and editor, plus you get all the free goodies listed above (and a T-shirt!)

We hope you’ll join us on this descent into the heart of the divine… and the dark. 

Join Us

Make the future of literary genre-fiction happen with your support 

Pledge
The Literary Magazine That’s Bringing the Short Story Back

The Literary Magazine That’s Bringing the Short Story Back

Meet STORGY – Tomek Dzido, Anthony Self, and Ross Jeffery

An orgy of stories, that is what STORGY Magazine is all about – a writhing pile of lithe, literary works and brazen art. You may have read my interview on STORGY a couple months ago. Guess who else was interviewed by STORGY. Chuck Palahniuk. Yep. That guy who wrote Fight Club (bringing me a tantalizing degree closer to a literary hero). You also may have seen my post about STORGY’s massive #EXITEARTH contest, and like me, wondered who are the orchestrators of this bacchanalian display of exceptional prose?

I asked the STORGY chaps to satisfy our curiosity about the mysterious beginnings of the literary magazine and what the team plans for the future. Trust me, this interview is even more interesting than it already sounds.

 

***

So, I think what everyone might first want to know is how you came up with the name Storgy and how does it express what you do?

Tony: Years ago when Tamagotchi’s were still a thing and a child could be entertained by asking it to use an imagination and play outside rather than thrust an iPad in front of its sweaty face, Tomek and I wanted to keep our writing skills relatively blunt (sharp is far too generous) so we came up with an idea to pitch each other story titles that we would write one thousand words for, read each other’s work and titter like pre-pubescent boys that had just seen a picture of a naked Abi Titmuss in the copy of the local Daily Star; from there we went on social media and asked people to pitch us titles and we thought we would need a name for this ludicrous endeavour so we thought of STORY and ORGY and put our hands together. Tomek had raspberry jam in one hand and some dog poo in the other, so the end result of his clap did not impress the startled cat he was trying to fellate at the time.

Tomek: Our goal was to devise a method through which to hone our writing skills, and as time moved on, we were fortunate to meet like-minded people who shared our passion for the short story and came on board. A lot of thanks goes out to these early contributors, without whom STORGY would not have flourished into what it is today. What we try to do is provide lovers of short fiction and film with a platform on which to publish their words and gain exposure. STORGY would not exist were it not for the dedication of all our authors and whilst there remains much for us to explore and many possibilities for expansion, we thank everyone who continuous to support us.

Storgy was founded in 2013. Since then, the magazine and its team have grown. In four years of publishing, what challenges has the magazine faced along the way?

Tony: Personally for me, it was the push of getting a story done on time, the self-doubt of it being any good – that nagging voice at the back of the mind that turns into a harpy witch, screaming at you that ‘you’re not good enough, you’ll never amount to anything, why are you crying?’ whilst clawing at your face with its curled, gnawed talons…that can be bit of a bastard. I look back at some of my own work and shudder at its sheer failings from a technical standpoint. As we grew though, we realised that other people were starting to get involved and sent us their own work. In its infancy stages, we had a core group of contributors and that gave us time to regulate and shuffle stories around, so that helped. We’ve just launched a YouTube channel and I’m trying to get things scheduled in for that, so the Harpy witch has evolved into a digital menace…

Ross: I came on board in 2016 to help head up STORGY’s social media and soon became head of our literary reviews. I’ve known Tony and Tomek for years even sharing a house with Tony at one point (what that man can’t make with a can of Mushy Peas and pasta isn’t worth eating). Secretly I was hoping that they would ask me to join this project and what do you know…they did. So as well as all the stuff Tony has spoken about above, Harpy Witches, Abi Titmuss and Tamagotchi’s, we also work with various publishers from huge organisations such as Bloomsbury and Penguin Random House, in addition to small Independent publishers such as SALT Publishing and Dodo Ink to name just a few. The guys (Tomek and Tony) have done a sterling job with a shoestring staff team – literally the two of them. So over the last year we have experienced expediential growth and the have taken a few more staff on – as well as expanding our reviewing team to keep up with demand from those publishers and authors that want to work with us.

Tomek: The greatest challenge was maintaining our motivation. A little over a year ago myself and Tony experienced a particularly trying period during which we questioned the existence of STORGY. During this dark time we were very close to shutting up shop. A desire to focus on our own writing and the complexities of juggling full time employment and matters of the heart drove us to the edge of insanity, but then Ross appeared and allayed our anxieties. Since then we have not looked back. The team has continued to grow and STORGY has gone from strength to strength. I am heavily indebted to Tony and Ross for all their hard work; the unsung heroes of STORGY without whom this ship would never sail.

Fight Club author, Chuck Palahniuk, said that STORGY is helping to ‘keep the short story alive.’ Do you think the short story form was dying, or at least in need of some fresh blood?

Tony: I think it’s fair to say that people enjoy reading a collection of short stories from their favourite author, or a novel by said favourite author, rather than take a risk and sample an anthology from writers they may not of heard of. I enjoy sci-fi and horror, so I regularly get a bumper anthology collection from loads of different authors. It helps you understand different style and prose, whilst opening your mind to different perspectives. Do you find duds sometimes? Of course you do. But that’s the nature of the beast. With publishers and distributors now using click-bait techniques to sell their authors, sometimes the little guy can be left out in the snowy plateau, shivering cold in the wind. We want to bring that little guy in from the cold and give him his shot. And possibly some Jaffa Cakes.

Ross: I must agree with Tony on this point, it’s not that the short story genre is in danger, it just needs to be jump started occasionally. The other day I walked into Waterstones (book shop) and spent a good proportion of my time trying to locate where in the shop the short story anthologies were. After tracking down a member of staff they showed me the smallest collection of books at the start of fiction; in the United Kingdom it’s just not seen as its own entity – the selection of books didn’t even have a sign. The last year I’ve read and reviewed some fabulous anthologies, so it’s not through the lack of talent…It’s just finding a collection in a book shop is a fricking hard task!

Tomek: The short story is a form that will never die. There are millions of readers across the world who enjoy reading short stories, and millions of authors who strive to write them. The difficulty is connecting the two. Unfortunately, short story collections do not sell as well as novels, for reasons which mystify me. In an era when time is in such short supply, a short story is the perfect antidote, but it doesn’t quite work like that. Not yet, anyway. I feel that there is much scope for innovation in the manner in which literature – and short fiction in particular – is presented and shared with readers. The digital age in which we live has the potential to empower the short story and ensure it not only survives, but thrives. Of course, there is much work to be done, but for the small part STORGY can play in keeping the form alive, the challenge is one we willingly accept.

My personal experience working with Storgy was the greatest pleasure. You roll out the red carpet for your writers and interviewees, treating artists and the craft of writing with great respect. How do you discover new writers to feature? And what is it you’re looking for when you’re vetting them?

Tony: Thank you for saying so. In all honesty, the writers have found us. We’ve always said from the start that STORGY is a platform for writers to express stories that they may not be able to showcase elsewhere. Using the old adage of ‘Give a man a fish and he can feed himself for a day, but give him the tools and he can fish for himself for a lifetime,’ we’ve simply said, ‘Your story is really good. We want to publish this so you’ll gain the recognition you deserve and write more.’ We’re looking for originality; we’re looking for great stories – sure. But we’re also fans. We also love reading truly engaging short stories that speak to us in a myriad of different ways. We’ve had some magnificent stories that we’ve had to decline because it lacked…something. But hopefully that writer will get angry or say to themselves, ‘Yep, you know what…in my heart it wasn’t good enough,’ and they’ll push themselves to write an even better short. One that we’ll gladly publish.

Ross: Thanks Christa that’s great of you to say. I think that one of our biggest assets is that we are all insanely passionate about literature, I also feel that because we are such an intimate set up that when we work with authors on projects they get the sense that we really care and they get the attention to detail that I find is quite often missing in the larger organisations. I again agree with Tony (this is like the most I’ve ever agreed with Tony – I better watch what he puts in my drink later) what with authors finding us; we offer a platform and really appreciate talented writers choosing to showcase their work through STORGY Magazine. But part of my job as head of books is to find existing talent, whether that is through independent publishing or reading a wide range of books, or even through listening to other authors and what they are currently reading – we’ve also a fantastic well read team here at STORGY and often recommend new writers to each other on a weekly basis.

Tomek: Thank you for your kind words. It’s nice to know that working with us is an enjoyable experience. The discovery of new writing occurs in many ways, all of which are the result of our passion for literature. STORGY is placed in a rather unique position within the industry, whereby we can act as an explorer of new and undiscovered talent and an agent of published authors. The discovery of new writing, whether it be a STORGY submission or a published anthology, never ceases to excite us. It is an honor to read the writing we receive and we feel immensely privileged to be in a position to share our discoveries. There remains a great deal of writing to which we are not yet exposed, but the wider we cast our net, the greater the words we catch. In terms of submissions, we have an experienced and talented team of editors, however, our decisions are entirely subjective and I would encourage writers who are not chosen for publication in STORGY to submit their work to other magazines. The debate about what makes a good short story is a complex one, and whilst there are numerous aspects which influence our decision, the most important is our enjoyment of a specific piece, irrespective of form or content or style or genre. Ultimately, there is only way to find out; submit.

You also hold yearly writing competitions. Your latest awards a £1000 grand prize and will be judged by Diane Cook, former producer This American Life and of author of Man V. Nature. This competition is open-genre and based on the theme Exit Earth. Why did you choose this theme?

Tony: I think we can safely say that last year was a complete wash out. Brexit. Terrorist shootings. Countless iconic celebrity deaths. Politics going bananas.  It all seemed like a weird Twilight Zone episode where we were living in a parallel universe, but there didn’t seem to be any ending…whether the protagonist found it safely back home or not.  I think a lot of people felt powerless last year, so we’ve decided to give them the opportunity to fight back using their words. The competition doesn’t need to have a dystopian theme; it can be about anything – a mother and daughter reconnecting, a superhero down on his luck, a morbid tale of a spooky house, the possibilities are endless…

Ross: That’s all above my pay grade…over to Tomek!

Tomek: For the first time we decided to focus on a specific theme for our annual short story competition, and following in depth discussions we settled on ‘Exit Earth’. This was partly due to our interest in the current state of global politics and how it impacts – or will impact – the future of mankind, but also our desire to work with Diane Cook. Man vs. Nature was one of our favorite books of recent years and it seemed like the perfect opportunity to put the two together. Whilst we are avid readers of dystopian fiction, we remain hopeful that entries will explore the limitless possibilities of this year’s theme. I must stress again, that this is not a genre focused theme and we encourage and welcome short stories of all genres. Our mission has always been to discover great short stories and a theme based approach to this year’s competition will provide an interesting way of inspiring new fiction. We are immensely excited about the competition and hope it proves to be an enjoyable experience for writers, and readers, too.

Who are the favorite big-name authors among the staff? Who are some authors you’d love to publish on Storgy?

Tony: George R.R. Martin, Stephen King, J.K. Rowling, Cormac McCarthy, Jonas Jonasson, David Moody, Will Self, Neil Gaimon…the list could go on and on…

Ross: Chuck Palahniuk (he remains the reason I write to this day), Hunter S Thompson, HG Wells, Bret Easton Ellis, Stephen King, J.K. Rowling, Hubert Selby Jr, Philip K Dick, James Herbert, Richar Thomas, James Frey, Peter Benchley – Some writers that blew me out of the water last year included Carys Bray, Ali Shaw, Adam O’Riordan, Roisin O’Donnell, Oisin Fagan and recommended from Tomek was Callan Wink (very grateful for that one). And some to keep your eyes out for in 2017 and beyond Joseph Sale, Jess Bonder and Daniel Soule – all creating some brilliant work in the independent realm, it’s only a matter of time for these guys.

Tomek: All the writing in STORGY is special to me. We wouldn’t exist were it not for the passion and perseverance of our authors, all of whom I hope gain wider acclaim. I can’t name individuals because one day we hope to publish them in print. In terms of authors I would love to see in STORGY, to name only a few: Jodi Angel, Ann Beattie, Amie Bender, Lucia Berlin, Jason Brown, Judy Budnitz, Diane Cook, Charles D’Ambrosio, Debra Dean, Junot Diaz, Tom Franklin, Rivka Galchen, David Guterson, Adam Haslett, Tama Janowitz, Dana Johnson, Miranda July, Richard Lange, Sam Lipsyte, Chris Offutt, ZZ Packer, Susan Perabo, Benjamin Percy, Thomas Pierce, David James Poissant, Donald Ray Pollock, Eric Puchner, George Saunders, Jess Walter, Caire Vaye Watkins, Apil Wilder, D W Wilson, Callan Wink, Tim Winton, and many may more. If you don’t know them, buy their books. If you do know them, scream STORGY!

What kind of readers would enjoy Storgy Magazine?

Tony: The thing about STORGY is its diversity. We’ve had short stories ranging from broken spirits to uplifting tales about the human condition. We’ve had sci-fi, horror, romance, drama to stories written from the perspective of children. It really caters to all. Now we have a YouTube channel (submit storgy) and we can reach out in a media capacity.

Ross: If you’ve got two eyes and can read then STORGY is for you. We publish such an eclectic mix of content each week that there is always something for you to read, we pride ourselves on this to ensure that our readership keep coming back as content changes so much with each passing week.

Tomek: We take great pride in the diversity of short stories we feature and hopefully one day soon we will be in a position to publish new and experienced authors. We will continue to publish short stories that excite and inspire us and hope that readers enjoy them too. 

What might writers gain from being published in Storgy Magazine?

Tony: They’ll have a platform to showcase their short story/essay/article, they’ll be able to join a network of like-minded individuals and communicate via Twitter and FaceBook amongst a host of talented artists and writers. They’ll be able to strengthen their own style and pick up skills from other writers. In short, they’ll gain a whole wealth of knowledge from the STORGY empire.

Ross: A dedicated team who are not out to make a name for themselves, if it comes with the work we do that’s fantastic, but our purpose is to promote the artist; give them a platform and dedicate our efforts in helping them get their work out there!

Tomek: They’ll join a thriving community of creators and become part of the history of STORGY, each writer playing an important role in safeguarding the future of the short story.

Storgy has two anthologies out. Will you continue to publish anthologies?

Tony: As long as we’re still breathing, we’ll still do anthologies!

Ross: ‘Keeping the Short Story Alive’ Chuck Palahniuk – how could we stop!

Tomek: Even if Tony does stop breathing.

What goals does Storgy Magazine have for the future?

Tony: I could tell you, but then I’d have to smear Nutella all over your body and release the birds…

Ross: I could tell you, but they don’t even tell me, I just turn up and work my fingers to the bone, it’s the only way they’ll let me see my family again. If you’re reading this then it’s too late for me!

Tomek: Ross, back to the basement. Tony, I’m waiting…

 

Thanks to Tomek, Tony, and Ross.

Everything you need to connect
with STORGY is below.

#EXITEARTH WRITING COMPETITION

From Trumpocalypse to Brexit Britain, brick by brick the walls are closing in.

But don’t despair.
Pick up your pen.
Bulldoze the borders.
Break free.

The STORGY Short Story Competition is here! We need you!

ENTER

SUBMIT YOUR WORK TO STORGY

STORGY welcomes unsolicited submissions from published and unpublished authors. We are looking for literary short fiction, particularly short stories which challenge literary conventions and experiment with genre, style, form and content. We consider all genres and welcome all submissions. We want writing which forces the reader to face the reality in which we live, or the illusions in which we hide. We want soul, be it broken or bruised, or endless and almighty. We want to laugh, cry, cower, and applaud. Tell us, teach us, transform us.

STORGY also accepts essays, book reviews, movie reviews, art, and photography.

SUBMIT

FOLLOW STORGY

THE CHAPS

SICK Part III Release News (plus Cover Reveal!)

SICK Part III Release News (plus Cover Reveal!)

It’s official! Yesterday, after a grueling eight straight hours of revisions, I delivered SICK Part III to my courageous editor, Candace Johnson. This book put me through a painful labor. I began writing it almost one year ago. It think it was more difficult than the first two parts of the series for several reasons.

  1. I wanted to create an epic ending for my readers.
  2. I wanted to create an epic ending for myself.
  3. I wanted to give my characters the finale they deserved.
  4. I wanted the story to have depth and meaning.
  5. Life got in the way of writing.

I plan to put SICK Part III on preorder for 1/2 price by the end of the week.

The official release date will be in the middle of April 2017.

Join my author mailing list
to be notified as soon as it’s available for the preorder discount.
CLICK HERE.

Thanks to everyone for being so supportive and patient. I don’t think SICK fans will be disappointed!

I’ve left you a little draft of the cover to get you in the mood. I’d love to know what you think of it.

SICK Part III Release

Why I Quit My Job: Project 13 Dark

Why I Quit My Job: Project 13 Dark

Originally posted on Joseph Sale: Graphic Horror Writer

Yesterday, at roughly 9:30am, I quit my job.

It was a good job, in many respects. It paid decent wages. There was a great team of people there who I shared laughs with. I enjoyed my time there. But, unfortunately, I had come to a realisation, a reality I had to face, which was that I was being called by my true vocation: writing. That’s the thing. Something we must all bear in mind: there’s a difference between a career, a job and a vocation, a ‘calling’ we feel deep down, that drives us, that makes us who we are. It’s folly to ignore that calling.

Joseph Sale, creator of Project 13 Dark

This is me. I’m completely normal. Completely. Don’t worry about those things I wrote. Shhhh.

For a long time, I’d convinced myself I could go on doing the 40 hours a week and write here and there in between, but now I’ve realised it’s just not in me. Kudos to those who can do it; it’s impressive. But I need to give all of myself to the world of creativity. So, here I am, throwing caution to the wind. Melodramatic as it sounds, I really would rather die than give up on doing what I believe I was always meant to do.

It’s not just about writing my own work, however. That’s only one small thing. I’m a passionate reader and bibliophile. I’ve been following various authors for a number of years and wanted, for a long time, to bring their work to a wider audience. From this desire, †3Dark was born.

So, I’ve quit my job to work full time on a unique publishing venture, a dream I’ve had for a long time I finally feel could become reality. So, what’s it all about? Read on…

Originally posted on Joseph Sale: Graphic Horror Writer

†3 DARK – Author Spotlight: Christa Wojciechowski & Mental Illness in Horror Fiction

†3 DARK – Author Spotlight: Christa Wojciechowski & Mental Illness in Horror Fiction

Hello all! I’m ecstatic to have been signed on by the †3 DARK Project. I know it’s still a mystery to most of you. I will post all the details very soon. In the meantime, follow †3 DARK on Facebook and Twitter.

There is nothing more validating for a writer than to be recognized by another writer whom they greatly admire. Enjoy this spotlight Joseph Sale has written about The Sick Series and grab the first two books – they’re free for a few more hours.


Originally posted by Joseph Sale †3 DARK – Author Spotlight: Christa Wojciechowski & Mental Illness in Horror Fiction

Today we’re going to be beaming the spotlight down on another one of our incredible †3Dark authors: Christa Wojciechowski.

It’s an honour to have Christa involved in the project. I’ve been a fan of her fiction for while, ever since I read the first book of her Sick series of novellas.

SICK PART I med Mental Illness in Horror Fiction

Here’s an extract of a review I wrote for Sick:

‘Sick is a brilliant novella that explores the nature of human dependency and self-deception. The voice of the protagonist, Susan, is crystal clear and never wavers throughout, drawing you completely into her world and her way of thinking. This voice also generates a fantastic sense of dramatic irony, leading to a genuine tension. We want our heroine to realise the truth but her antagonist is convincingly devious. Normally, novels in which there is a truth evident to the reader but not the characters can be frustrating, but Sick manages to remain compelling and true to its characters throughout. Most importantly of all, however, this novella triumphs because it is so psychologically insightful.’

What’s unique about her approach to horror is the genuinely in-depth explorations of mental illness, addiction and relationships. While so many horror authors pander to the stereotypes of mental illness or psychosis as something to be feared and abhorred, Christa is more empathetic, getting to the roots of it, and exploring it in a nuanced way. As such, her characters are frighteningly three-dimensional, to the extent that we feel we can inhabit them.

And that’s where the real horror comes in.

SICK PART II med Mental Illness in Horror Fiction

In two ways, really.

Firstly, we feel empathy for their fear, their uncertainty. We feel we can relate to it at a primal level.

Secondly, and even more powerfully, it challenges the binary perception of mental illness as something some people have and some don’t. We’re all susceptible to moments of aberrant behaviour, irrational thought or delusion, and Sick really made me feel how fragile the self-constructed perception of my well-being was, and how easily I could fall into the addicted trap of her protagonist Susan. Some writers create aesthetically sensational larger-than-life characters, but Christa’s work is much in the vein of Stephen King: the extraordinary – in both the good and bad sense – can be found in the most ordinary, real people.

As a generous offer to followers and supporters of †3Dark Christa has put Sick Part I and Part II for FREE on Amazon today! 

Christa is currently working on a new series The Sculptor of New Hope, partly inspired by the work of Gian Lorenzo Bernini (The Rape of Proserpina). She describes it as: ‘a dark, gothic romance that begins in New England and ends up right here in Panama.’ Bernini’s work happens to include many of my favourite sculptures, capturing the impossible sensuality of flesh in marble. The Rape of Proserpina, harrowing as that title is, is one of the most astonishing pieces of art you’ll ever see.

If you want to find out more about Christa and her work, you can read the incredible interview she did with Storgy magazine. Christa’s †3Dark story will feature in our July slot. I just can’t wait to see what dark wonders she unleashes on us.

Adieu for now

@josephwordsmith

EXIT EARTH: Short Story Competition from @moreStorgy

EXIT EARTH: Short Story Competition from @moreStorgy

Check out Storgy Literary Magazine’s latest short story competition. Entries will be judged by Diane Cook, former producer NPR’s This American Life and of author of Man V. Nature. This competition is open-genre and based on the theme, Exit Earth. I’m sure many of you will have fun with this theme. The grand prize is £1000, so get to writing!

From Trumpocalypse to Brexit Britain, brick by brick the walls are closing in.

But don’t despair.
Pick up your pen.
Bulldoze the borders.
Break free.

The STORGY Short Story Competition is here! We need you!

ENTER HERE

 

Client Spotlight: Elizabeth Overstreet, Author and Relationship Coach @newrulesdating

Client Spotlight: Elizabeth Overstreet, Author and Relationship Coach @newrulesdating

On today’s Client Spotlight, I am very proud to introduce you to Elizabeth Overstreet. Elizabeth is a relationship expert and the author of Love You and He Will Too: The Smart Woman’s Roadmap for Happy, Healthy Relationships. She’s a digital contributor to Jet Magazine and is a regular on radio and TV.

I feel most of us expect relationships to run on auto-pilot, and when they don’t go smoothly, we have no idea how to fix them. Being a writer of character-driven stories, relationships are central to every plot I create. I took this opportunity to satisfy my curiosity about love, marriage, and meeting new people. I think everyone will find Elizabeth’s answers interesting. Read on!

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